 
Films Installed in the Foyer
Eduardo Restrepo Castaño SWARM
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
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In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
 
Kanta is a young Japanese artist with a home-made, short circuited take on electronics and physical phenomena which he uses in performance to produce close circuit systems of audio / video feedback.
 
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
 
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.
 
Writing that shows us that, even in struggle, there is light to be let in.
 
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
 
A spectacular musical show which discusses the representation of a nation state, its characters and history. A learning play on myth construction and its reproduction.
 
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
 
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
 
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
 
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.