Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
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Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Writing that shows us that, even in struggle, there is light to be let in.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.
Inspired by Delany’s Aye, and Gomorra. A spookily filmic world where asexual bodies live in the contradiction of their unarousable loneliness and desire for intimacy and contact.
Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.