Self Cancellation – Dry Ice With Metal
Michael Colligan
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
As part of Karrabing’s visit to Scotland, the collective will be hosted for three days in the Isle of Skye by The School of Plural Futures.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”