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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
Comic depicts gay men cruising in laundromat
19 November 2017
Tramway

Public Sex

Huw Lemmey Samuel R. Delany Jackie Wang

Could cruising and random public sex be the basis of an ethically organised society? A discussion with Jackie Wang, Samuel R. Delany and Huw Lemmey.

Episode 9: Other Worlds Already Exist
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

Topias Tiheäsalo fanning a guitar at MLFC 07
11 May 2007
The Sage Gateshead

Topias Tiheäsalo

Topias Tiheäsalo

A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.

Music Lover’s Field Companion 07
Angharad and Rhodri performing in St Giles in the Fields on violin and harp
18 October 2005
St Giles in the Fields, London

St Giles in the Fields, London 05

Angharad Davies Jandek Rauhan Orkesteri Rhodri Davies

Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.

A B&W portrait of four members of TEST, all smiling
6 May 2012
Whitney Museum of American Art

TEST featuring Fred Moten

Daniel Carter Matt Heyner Sabir Mateen Tom Bruno Fred Moten

TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.

A survey is a process of listening
A film still shows an interior view along a hospital corridor
14 April 2019
Performance Space New York

After…After…(Access)

Jordan Lord

A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.

I wanna be with you everywhere
13 April 2007
DCA

KYTN Salon: Post Consideration

Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine

Post consideration and post rationalisation… How do we think about experimental music and film after the performance?

Kill Your Timid Notion 07
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
A layers image of several frames from a video by R. Kelly
28 February 2010
DCA

Film Programme 5: Catalogues

Various Artists

Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.

Kill Your Timid Notion 10
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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