Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.
