Philip Jeck
Philip Jeck
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
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Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.