Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (704)

Order by
A silhouette of Delany in front of screen where a room is lit with green light
16 November 2017
Tramway

The Motion of Light

Samuel R. Delany

Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.

Episode 9: Other Worlds Already Exist
A series of large dimly lit light bulbs hanging in a room
12 April 2007
DCA

Beyond 6281

ARTIFICIEL

Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.

Kill Your Timid Notion 07
Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
Arika_Instal08_BryonyMcIntyre_IMG_390076
16 February 2008
The Arches

Translation

Jarrod Fowler

Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.

INSTAL 08
Ryoji Ikeda pictured against a dark background
1 December 2002
The Arches

Formula [ver 1.1]

Ryoji Ikeda

Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting

INSTAL 02
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Up-Tight on stage at INSTAL 05 lit from behind in high contrast
14 October 2005
The Arches

UP-TIGHT

UP-TIGHT

Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.

INSTAL 05
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
A line of people in white masks hold a pink banner "Non a la Discrimination"
26 May 2019
Kinning Park Complex

How to Ally with Sex Workers on Decriminalisation of Sex Work

Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.

Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×