 
Smoo Cave
Akio Suzuki John Butcher
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
 
AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.
 
Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.
 
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.
 
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
 
In 2008 we toured our Kill Your Timid Notion festival of experimental sound and image to London, Bristol and Glasgow, bringing audiences a taste of the previous 5 festival editions.
Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.
 
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
 
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
 
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
 
Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.
 
A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.