
Free-form hook up
Ali Robertson Malcy Duff Seymour Wright
Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Take a break and/ or hang in an Open Meet Up in IRL and URL
Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.