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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (706)

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Three men operating electronic equipment. Fraser is in yellow on the floor
22 March 2009
The Arches

Free-form hook up

Grant Smith Jean-Philippe Gross Fraser Burnett

Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.

INSTAL 09
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

Jandek performing on stage at Anthology Film Archives NY 05
6 September 2005
Anthology Film Archives, New York 05

Anthology Film Archives, New York 05

Alan Licht Chris Corsano Jandek Loren Mazzacane Connors MV & EE Matt Heyner

Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.

William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
A rectangle of red light, one of green light and a beam of white light
13 April 2007
DCA

Wave Formations

William Raban

Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.

Kill Your Timid Notion 07
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
Guy sherwin holding a mirror showing a projection of himself with another mirror
10 October 2008
DCA

Man With a Mirror

Guy Sherwin

A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.

Kill Your Timid Notion 08
Two men in suits and ties ride exercise bikes whilst reading from books
16 February 2008
The Arches

Translation

Simon Morris

Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.

INSTAL 08
Brian Dillon portrait against a brick wall
14 April 2007
DCA

Brian Dillon Talk

Brian Dillon

Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.

Kill Your Timid Notion 07
13 March 2022
Online

Support Not Separation

Ubuntu Women Shelter Legal Action for Women Recovering Justice

How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.

Mutual Aid
Junko singing into a microphone against a dark background
25 February 2012
Tramway

Junko

Junko

Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.

Episode 2: A Special Form of Darkness
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
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