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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Inter title from the film Haxan
18 October 2003
DCA

Haxan: Witchcraft Through the Ages

Mirror Phantom Engineer

Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.

Kill Your Timid Notion 03
A chorus in white boiler suits stand behind a concrete frieze of Russian workers
22 January 2012
CCA

The Songspiels of Chto Delat?

Chto Delat

The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.

Episode 1: A Film is a Statement
14 April 2025

Week Six: Decolonising ‘global mental health’

Lisa Fannen Sapna Agarwal

We’ll be looking at decolonising ‘global mental health’. We’ll look at the concepts of decoloniality, of things being ‘culture bound’, and at hermeneutical injustice* as ways to examine dominator knowledge systems, and the institution of psych/iatry.

In Our Hands 2025
13 May 2007
The Sage Gateshead

Total Music Meeting

David Keenan

Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.

Music Lover’s Field Companion 07
16 November 2024
Tramway

The We of revolutionary love

Houria Bouteldja

The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.

Episode 11: To End the World As We Know It
Kazuo Imai and Astuhiro Ito on stage with guitar and light bulb
19 February 2006
DCA

Kazuo Imai & Atsuhiro Ito

Atsuhiro Ito Kazuo Imai

A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.

Kill Your Timid Notion 06
Vanessa Place listening while Mark Sanders talks
13 November 2010
Tramway

Consequences and complicities of conceptualism

Mark Sanders Vanessa Place

Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”

INSTAL 10
13 October 2005
The Universal

Stalled at Universal – Usurper

Usurper

Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.

INSTAL 05
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
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