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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
Kai Faguchinski and Klaus Filip performing at MLFC on clarinet and laptop
12 May 2007
The Sage Gateshead

Los Glissandinos

Kai Fagaschinski Klaus Filip

Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.

Music Lover’s Field Companion 07
a large crowd wearing evening wear are sat at tables applauding
19 April 2014
Holiday Inn

Icon’s Lunch

Various Artists

This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.

Master Ballstar Weekend
Samuel R. Delany white hair and beard reading on stage at EPISODE 9
19 November 2017
Tramway

Beyond Transgression

Samuel R. Delany

Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.

Episode 9: Other Worlds Already Exist
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

Amplifiers outside with mics on the floor coming from them
27 February 2010
DCA

Hit Parade

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
A figure in leather and studded cuffs wears a large visor with the word SHADE
20 April 2014
MoMA PS1

Respect the Runway: The Red Carpet to Mastery

Various Artists

Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.

Master Ballstar Weekend
A B&W collage of workers with a list of healthcare jobs as the background
15 April 2015
Tramway

Work Care Class 1 – Care & Work

Howard Slater

First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?

Episode 7: We Can’t Live Without Our Lives
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
The high domed ceiling of Hamilton Mausoleum seen from below
29 June 2006
Hamilton Mausoleum

Hamilton Mausoleum

Akio Suzuki Chris Corsano John Butcher

Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.

Resonant Spaces
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
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