
Exhibition: Gravitational Feel
Fred Moten Wu Tsang
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.