Birchville Cat Motel
Birchville Cat Motel
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.
Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.
Dub is strange. A conversation with Edward George and Dhanveer Brar.