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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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A B&W collage of workers with a list of healthcare jobs as the background
15 April 2015
Tramway

Work Care Class 1 – Care & Work

Howard Slater

First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?

Episode 7: We Can’t Live Without Our Lives
A 16mm film in has detailed instructions printed on its lid
22 February 2010
DCA

Urban Peasants

Ken Jacobs

Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.

Kill Your Timid Notion 10
Joan La Barbara sings mouth open, eyes closed, hand up
21 March 2009
The Arches

Joan La Barbara

Joan La Barbara

Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.

INSTAL 09
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Elizabeth A. Povinelli and Mijke van der Drift sit at black table in a black box theatre. There is audience to the right of the image and behind Mijke & Elizabeth are two screens for live captioning.
15 November 2024
Tramway Live Stream

Analytics of Existence

Elizabeth A. Povinelli Mijke van der Drift

Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.

Episode 11: To End the World As We Know It
Richard Youngs standing with a microphone at INSTAL 04
16 October 2004
The Arches

Richard Youngs

Richard Youngs

One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest

INSTAL 04
Diagrams and drawings on a wall in the DCA Dundee
26 February 2010
DCA

Investigation – Summing Up

Summing up of the investigations with a reflection on what has been done that week and what could be done the next.

Kill Your Timid Notion 10
V∞redoms on stage at INSTAL 03 amidst at least three drum kits
23 November 2003
The Arches

V∞redoms

Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.

INSTAL 03
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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