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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
Joan La Barbara sings mouth open, eyes closed, hand up
21 March 2009
The Arches

Joan La Barbara

Joan La Barbara

Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.

INSTAL 09
Fred Moten in a black and red shirt prepares for a discussion
21 April 2013
Tramway

Fred Moten – Chat

Fred Moten

In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.

Episode 4: Freedom is a Constant Struggle
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Hannah Proctor stands on stage in front of a lectern delivering their performed reading. Behind Hannah is a project image of a crowd in a smoke filled city street, giving the impression of a conflict or war environment.
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
Tony conrad bowing a violin in the foreground, Keiji Haino singing behind
14 October 2006
The Arches

Keiji Haino & Tony Conrad

Keiji Haino Tony Conrad

Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.

INSTAL 06
Ben Chasney standing against a wall in a t shirt
16 October 2004
The Arches

Six Organs of Admittance

Six Organs of Admittance

Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.

INSTAL 04
Terre Thaemlitz lies on the ground, next to a motorcycle, posing provocatively
25 May 2013
Tramway

Soulnessless – Cantos I-IV

Terre Thaemlitz

An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…

Episode 5: Hidden in Plain Sight
V∞redoms on stage at INSTAL 03 amidst at least three drum kits
23 November 2003
The Arches

V∞redoms

Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.

INSTAL 03
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