Century FC
Phil Minton
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.
Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.
An original and beautifully simple performed installation forging a direct link between sound and image.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.