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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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10 March 2025

Week One: Welcome Session

Lisa Fannen Sapna Agarwal

In this welcoming first session we will look at the basics of using plant medicine – things you might have in your kitchen or easily to hand. We will introduce preparation methods, contraindications, dosages & remedies for common ailments.

In Our Hands 2025
Klaus sits at a table and plays electronics whilst Radu plays trombone
21 March 2009
The Arches

Klaus Filip & Radu Malfatti

Klaus Filip Radu Malfatti

Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.

INSTAL 09
Ellen fullman's long string instrument : many strings strung across a long room
13 October 2006
The Arches

Ellen Fullman & Sean Meehan

Ellen Fullman Sean Meehan

Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.

INSTAL 06
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
Burkhard Stangl silhouetted against a projection of an eye
19 October 2003
DCA

Phonographics, Live

Burkhard Stangl Fennesz Gustav Deutsch Martin Siewert Werner Dafeldecker

A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.

Kill Your Timid Notion 03
Three performers on stage, two on electronics and one sings
15 February 2008
Stereo

Blood Stereo

Blood Stereo Heather Leigh Murray

Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.

INSTAL 08
Comic depicts gay men cruising in laundromat
19 November 2017
Tramway

Public Sex

Huw Lemmey Samuel R. Delany Jackie Wang

Could cruising and random public sex be the basis of an ethically organised society? A discussion with Jackie Wang, Samuel R. Delany and Huw Lemmey.

Episode 9: Other Worlds Already Exist
A projected image reads "decriminalise sex work" on a red banner. Four people are sat underneath the image on a stage talking with an audience.
19 November 2017
Tramway

Sex, Work, Justice

SWARM

The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.

Episode 9: Other Worlds Already Exist
Silhouette of a person in front of a blue background overlaid with blurry light
24 November 2019
Tramway

Something Said

Jay Bernard

Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.

Episode 10: A Means Without End
Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

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