Iain Campbell
Iain Campbell F-W
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
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A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
An invitation into languages field of touch; to speak in feeling together.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
Take a break and/ or hang in an Open Meet Up in IRL and URL
Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.