The Motion of Light
Samuel R. Delany
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?