
Keiji Haino & Tony Conrad
Keiji Haino Tony Conrad
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
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Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.
A public gathering that brings together local artists, musicians, activists, and community organisers.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.