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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Arika_Instal08_BryonyMcIntyre_Marginal Consort - Imai 2106
17 February 2008
The Arches

Marginal Consort

Marginal Consort

Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.

INSTAL 08
Christian Bok's blackboard diagram
16 May 2010

Two Dots over a Vowel

Christian Bök

Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.

UNINSTAL
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
A woman rides a motorcycle against a sunset lit sky
21 January 2012
CCA

Nina Power discussing November

Hito Steyerl Nina Power

Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).

Episode 1: A Film is a Statement
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
Three men play instruments in various stages of dismantlement
22 March 2009
The Arches

Free-form hook up

Ali Robertson Malcy Duff Seymour Wright

Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.

INSTAL 09
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
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