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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

Samuel R. Delany white hair and beard reading on stage at EPISODE 9
19 November 2017
Tramway

Beyond Transgression

Samuel R. Delany

Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.

Episode 9: Other Worlds Already Exist
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
Whitehouse shirtless on stage in the arches waving their arms
23 November 2003
The Arches

Whitehouse

Whitehouse

Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”

INSTAL 03
An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
A drawing of a circular shape made in graphic pencil
5 February 2012
Glasgow University Chapel

Concert 1: Organ Solo

Jean-Luc Guionnet

Each organ is unique. The project is to find out what makes it unique.

Investigation: Jean-Luc Guionnet
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