Video Times
Kevin Atherton
Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.
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Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.
In this response to the Self Cancellation project, Lee Patterson dissolves medicine in glasses of water and explores the sonic content.
John Butcher plays and manipulates a feeding back saxophone. Benedict Drew on electronics, broken cables and standing waves.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.