Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Imagine entering a library where readers can borrow human beings serving as open books. Then select a book stack that specialises in sex work.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.
An original and beautifully simple performed installation forging a direct link between sound and image.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.