
Episode 2: A Special Form of Darkness
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
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A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”
Jandek’s second ever live performance, and the first to be advertised in advance.
Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.
A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
Writing that shows us that, even in struggle, there is light to be let in.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.