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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Black and white photo of Argyll taken from event poster
4 September 2007
Various

Half-Life

Angharad Davies Lee Patterson Luke Fowler Rhodri Davies Toshiya Tsunoda

NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.

We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

Kiyoharu Kuwayama & Rina Kijima with friend at INSTAL 06
15 October 2006
The Arches

Kuwayama & Kijima

Kiyoharu Kuwayama Rina Kijima

Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.

INSTAL 06
Four people sat around a table on a stage. They are having a discussion.
23 October 2016
Tramway

Prefiguring the World We Want to Live In

Che Gossett Kai Lumumba Barrow Miss Major Tourmaline

How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.

Episode 8: Refuse Powers’ Grasp
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
A B and W film still of several people crossing a street in 1960's london
14 April 2007
DCA

Film Programme 2: Humans

Ken Jacobs Various Artists John Smith

Includes: street portraits of kids in 1930’s Dakota, a mysterious foggy pilgrimage, a swarm of time-lapsed consumers, a stereoscopic analysis of mill life, up close and personal in a Lighting Bolt mosh pit.

Kill Your Timid Notion 07
Robin Hayward and Radu Malfatti play brass instruments at the far end of a room
16 February 2008
The Arches

Wandelweiser

Antoine Beuger Manfred Werder Radu Malfatti

Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.

INSTAL 08
Jandek on stage wearing a hat & playing an electric guitar
17 October 2004
The Arches

Jandek

Alex Neilson Jandek Richard Youngs

Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.

INSTAL 04
Ryoji Ikeda operating a laptop surrounded by amplifiers
23 November 2003
The Arches

CCI Sound System

Ryoji Ikeda

CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps

INSTAL 03
Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

Emma Hart lit from the glare of a projector as she adjusts a camera
17 February 2006
DCA

Emma Hart & Benedict Drew

Benedict Drew Emma Hart

An original and beautifully simple performed installation forging a direct link between sound and image.

Kill Your Timid Notion 06
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
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