Relative
Jerron Herman
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?
Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.
No Wave, damaged garage jams and crazed instant vocal shrieks.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.