Films Installed in the Foyer
Eduardo Restrepo Castaño SWARM
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.
Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.
A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.