KYTN Salon: Post Consideration
Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
 
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
 
Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.
 
A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.
 
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
 
Dub is strange. A conversation with Edward George and Dhanveer Brar.
 
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
 
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
 
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.
 
One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.
 
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
 
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.