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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the words: Robert Lippock
9 December 2001
The Arches

Robert Lippock

Robert Lippock

To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.

INSTAL 01
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
A street in Egypt, during the day time, filled with people going about
22 January 2012
CCA

Too Soon, Too Late

Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.

Episode 1: A Film is a Statement
Three performers stand next to each other whilst singing and using their voices
21 March 2009
The Arches

Free-form hook up

Aileen Campbell Dylan Nyoukis Phil Minton

GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival

INSTAL 09
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
A black and while still of a photograph of a man melting on a stove
29 November 2008
BFI Southbank CCA Arnolfini

Out of Sight Out of Synch

Various Artists Hollis Frampton John Smith

Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.

Kill Your Timid Notion on Tour
Ryoji Ikeda operating a laptop surrounded by amplifiers
23 November 2003
The Arches

CCI Sound System

Ryoji Ikeda

CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps

INSTAL 03
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
15 April 2007
DCA

Ken Hollings Talk

Ken Hollings

A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s

Kill Your Timid Notion 07
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
In Our Hands: radical approaches to health and collective care
Mondays, 10 March to 5 May, 6-9pm

In Our Hands 2025

In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.

A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
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