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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
21 June 2023

Open Stage/ Screen/ Mic

Our Zooms are unmuted, our mics are open, and our hearts and bodyminds are receptive. We give the floor online and in person to you…

I wanna be with you everywhere 2023
Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
in a dark room Karen Constance plays a mixer on a yellow table
21 March 2009
The Arches

Free-form hook up

Ruaraidh Sanachan Karen Constance

Polly Shang Kuan Band coven leader and Sick Head’s psychedelic shaman Nackt Insecten make hex ritual to birth a new astral being….. Smack Insecten.

INSTAL 09
Image with the words: Paragon Ensemble
9 December 2001
The Arches

Paragon Ensemble

Paragon Ensemble

The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.

INSTAL 01
Dream-like landscape doubly exposed, clouds seem to be on top of ocean on top of land.Three deer turn away from the camera into the diffracted horizon.
14 November 2024
Tramway

barrunto

Emilia Beatriz

A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.

Episode 11: To End the World As We Know It
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
A spiral form made of shoes and boots is laid out on a purple and red lit floor
13 November 2010
Tramway

Overheard (Installation)

Resonance Radio Orchestra

The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.

INSTAL 10
Black and white photo of Ailie Ormston. Ailie is playing a white electric guitar with a microphone in front of them.
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
Tetsuo Kogawa peers at several small radios as he manipulates the aerial of one
21 March 2009
The Arches

Tetsuo Kogawa

Tetsuo Kogawa

Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.

INSTAL 09
Rhodri Davies and Terry Day performing at MLFC 07
13 May 2007
The Sage Gateshead

Rhodri Davies & Terry Day

Rhodri Davies Terry Day

Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.

Music Lover’s Field Companion 07
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