Workshop on Gestural Maths
Fernando Zalamea
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
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Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
Imagery, drawn from what seems like hundreds of different films is overlaid and combined in a promissory rainbow of new meanings and impossible scenarios, with the unsettling feel of daylight shadows.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
A cinema of the mind, a film to take place in the viewers’ imagination(s).
A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.
Could cruising and random public sex be the basis of an ethically organised society? A discussion with Jackie Wang, Samuel R. Delany and Huw Lemmey.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
An original and beautifully simple performed installation forging a direct link between sound and image.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.