
Iain Campbell
Iain Campbell F-W
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
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A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
I wanna be with you everywhere was a gathering of, by, and for disabled artists and writers and anyone who wanted to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.
Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.