9 December 2001
The Arches
Fennesz
Fennesz
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
INSTAL 01
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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16 February 2008
Usurper
Usurper
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
INSTAL 08
11 April 2019
Performance Space New York
Black Moon Lilith in Pisces in the 4th House
Johanna Hedva
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
I wanna be with you everywhere
17 February 2006
DCA
Ten Years Alive on the Infinite Plane
Angharad Davies Mark Wastell Nikos Veliotis Tony Conrad
A trance inducing, flickering investigation of structural and minimalist droning from one of the key thinkers in sound and image over the last 50 years
Kill Your Timid Notion 06
22 March 2009
The Arches
Filament: Sachiko M & Otomo Yoshihide
Otomo Yoshihide Sachiko M
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
INSTAL 09
16 February 2008
The Arches
Energy Births Form
Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
INSTAL 08
14 October 2006
The Arches
Keiji Haino & Tony Conrad
Keiji Haino Tony Conrad
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
INSTAL 06
20 November 2019
Tramway
4 Waters: Deep Implicancy
Arjuna Neuman Denise Ferreira da Silva
What would a world and an ethics look like free from the destructive consequences of the Western mind?
Episode 10:
A Means Without End
17 February 2006
DCA
Christmas Tree Stand
Bruce McClure
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Kill Your Timid Notion 06
5 May 2012
Whitney Museum of American Art
What is the Sound of Freedom?
Fred Moten Ultra-red
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
A survey is a process of listening
24 February 2012
Tramway
De Musicorum Infelicitate
Esther Ferrer Walter Marchetti
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
Episode 2:
A Special Form of Darkness
24 November 2019
Tramway
The utterly in common, or bodies of colour in the flesh
James Goodwin Nisha Ramayya
“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.
Episode 10:
A Means Without End