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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
A shadow crouches on the floor amongst mic stands and boxes, one light source
28 February 2010
DCA

Taku Unami

Taku Unami

Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?

Kill Your Timid Notion 10
Three people hold a banner: "Rights Not Rescue Our Choice"
21 April 2017
Kinning Park Complex

Party & Performances

Marianne Chargois MC Ray St. Ray Sex Workers’ Opera

A party and fundraiser to support Sex Workers’ struggles and LGBT Unity with music and performances from the sex workers’ community and allies, plus DJ’s and dancing.

Sex Workers’ Festival of Resistance
Phil Minton conducts a large choir at DCA
9 October 2008
DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08
14 April 2025

Week Six: Decolonising ‘global mental health’

Lisa Fannen Sapna Agarwal

We’ll be looking at decolonising ‘global mental health’. We’ll look at the concepts of decoloniality, of things being ‘culture bound’, and at hermeneutical injustice* as ways to examine dominator knowledge systems, and the institution of psych/iatry.

In Our Hands 2025
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
Black serif font reads Kill Your Timid Notion on a mottled white background
17 – 19 February 2006
DCA

Kill Your Timid Notion 06

A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.

Projection of an orange rectangle along with shards of light
11 October 2008
DCA

Sound Cuts

Guy Sherwin

Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.

Kill Your Timid Notion 08
Kiyoharu Kuwayama & Rina Kijima with friend at INSTAL 06
15 October 2006
The Arches

Kuwayama & Kijima

Kiyoharu Kuwayama Rina Kijima

Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.

INSTAL 06
Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
Instal 04 publicity flyer
16 – 17 October 2004
The Arches

INSTAL 04

Now a two day festival, INSTAL 04 was borne of a desire to open eyes, challenge audiences and expand musical horizons. This was also the year in which a certain representative from Corwood Industries made his first ever live appearance.

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