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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A black pen line drawing of all the members of the Carni Collective
26 March 2022
CCA Annex (Online)

Part One | Parte I

CARNI – Coletivo de Arte Negra e Indígena Periferia Segue Sangrando Denise Ferreira da Silva Ana Lira

A Breath to Follow | Um sopro a se seguir
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
Nikos Veliotis in safety goggles chips wood, cello and a projection in the back
21 March 2009
The Arches

Cello Powder

Nikos Veliotis

Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.

INSTAL 09
Jo Jo plays a guitar with equipment visible & knees bent
14 October 2005
The Arches

JOJO Hiroshige

JO JO Hiroshige

A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.

INSTAL 05
arika_ep7_IMG_6094
19 April 2015
Tramway

No Ready Made Men – Performance

Ueinzz

A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.

Episode 7: We Can’t Live Without Our Lives
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
A whirl of blurred coloured lights make an abstract pattern
12 December 2004
DCA

Film Programme 4: Pop

Various Artists

A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.

Kill Your Timid Notion 04
A projection of a man holding his hands up to his face as a red line borders
18 February 2006
DCA

Christian Marclay’s Screen Play

John Butcher Paul Lovens Steve Beresford Christian Marclay

A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.

Kill Your Timid Notion 06
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
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