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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A drawing of skull has the numbers 21 - 87 in a serif font written over the eyes
12 October 2008
DCA

Film Programme: Sonic Landscapes

Various Artists

Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?

Kill Your Timid Notion 08
A circle of chairs facing inwards
14 November 2010
Tramway

The Echo Project

Brandon LaBelle

The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.

INSTAL 10
a man playing drums behind a woman playing a pedal steel guitar
14 October 2005
The Arches

Jandek

Jandek

Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.

INSTAL 05
A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
Philip Jeck backstage working with old turntables
18 October 2003
DCA

Philip Jeck

Philip Jeck

Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.

Kill Your Timid Notion 03
Seated people chat near microphones
26 February 2010

SpeedDataRadio

Resonance Radio Orchestra

A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.

Kill Your Timid Notion 10
A design with a yellow background featuring a bottle of Chubz poppers
19 November 2017
Tramway

Chubz

Huw Lemmey

Politicised fan-fiction chronicling working class gay urban space and fantasy.

Episode 9: Other Worlds Already Exist
KUCHENGA, Jackie Wang, and Nat Raha seated in discussion on red cushions
18 November 2017
Tramway

Future Justice in the Present

Jackie Wang KUCHENGA Nat Raha

Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?

Episode 9: Other Worlds Already Exist
A projection of a man holding his hands up to his face as a red line borders
18 February 2006
DCA

Christian Marclay’s Screen Play

John Butcher Paul Lovens Steve Beresford Christian Marclay

A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.

Kill Your Timid Notion 06
A panel of four folks sit as one wearing a dark jacket and specs speaks
18 April 2014
The New School

Literary Reflections of Ballroom

Various Artists

A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.

Master Ballstar Weekend
12 March 2022
Online

Constantina Zavitsanos and Carolyn Lazard in Conversation

Carolyn Lazard Constantina Zavitsanos

Discussion: If we approach “care as an event” rather than as a “contract of exchange”  then what becomes possible in how we know, care for, and appreciate each other?

Mutual Aid
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