
Why improvised music is so boring
Diego Chamy Jean-Luc Guionnet Seijiro Murayama
An improvisation that may or may not involve (typical) improvisation.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An improvisation that may or may not involve (typical) improvisation.
One-shot sonic portraits of 4 houses, their inhabitants and their relationship to sound, from 2 of the most deep-thinking field-recording artists around.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.
The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
Glasgow. Low-end drone guitarage army in praise of the open chord.
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.