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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A woman rides a motorcycle against a sunset lit sky
21 January 2012
CCA

Nina Power discussing November

Hito Steyerl Nina Power

Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).

Episode 1: A Film is a Statement
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

A video still of several folks pulling dance moves in front of an orange wall
28 February 2010
DCA

Film Programme 4: Substitution

Various Artists

Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.

Kill Your Timid Notion 10
Stephan Mathieu backstage at Instal 02
1 December 2002
The Arches

Stephan Mathieu

Stephan Mathieu

Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.

INSTAL 02
People sitting around a table listening and talking
22 October 2016
Tramway

Captive Genders – Criminalisation

Che Gossett English Collective of Prostitutes Eric A Stanley Scot-Pep/ Umbrella Lane Tourmaline

What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?

Episode 8: Refuse Powers’ Grasp
Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
a figure bathed in red writhes as they perform with a red light in their mouth
24 May 2013
Stereo

Hidden in Plain Sight: Club

boychild DJ Sprinkles Vjuan Allure Pony Zion

The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.

Episode 5: Hidden in Plain Sight
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
Projection of Epileptic Seizure Comparison (1976) in a corner of DCA Dundee
19 September – 12 October 2008
DCA

Epileptic Seizure Comparison (1976)

Paul Sharits

Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.

Kill Your Timid Notion 08
A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
15 November 2024
Glasgow School of Art

Glasgow School of Art Friday Event

Beatriz Santiago Muñoz

Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.

Episode 11: To End the World As We Know It
Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

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