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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Sean Meehan performing in a on a curved wall before an audience
6 July 2007
Union Terrace Gardens

Shadowed Spaces Aberdeen

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Shadowed Spaces
Brian Dillon portrait against a brick wall
14 April 2007
DCA

Brian Dillon Talk

Brian Dillon

Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.

Kill Your Timid Notion 07
Computer screen revealing some data and a green shape
17 October 2003
DCA

Cyclo

Carsten Nicolai Ryoji Ikeda

Two figureheads of the minimalist electronica pulse, Ikeda and Nicolai have been responsible for some of the most innovative and ground-breaking music of the last decade, redefining experimental electronica.

Kill Your Timid Notion 03
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
Rolf Julius leans forward over a large white box and mixer and performs
22 March 2009
The Arches

Music for a Long Time

Rolf Julius

Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.

INSTAL 09
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
Masayoshi Urabe portrait in black and white
17 October 2004
The Arches

Masayoshi Urabe

Masayoshi Urabe

Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.

INSTAL 04
a participant lies on the gallery floor face down and hits the floor with a mic
3 May 2012
Whitney Museum of American Art

Hit Parade (New York)

Christof Migone

Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.

A survey is a process of listening
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
A close up of  trombone horn
13 October 2006
The Bridge

Symphony for Swimmers

David Dove Nmperign

During their time in Scotland for Instal 06 Dave Dove, Bhob Rainey and Greg Kelly did some improvisation workshops and performances in and around Glasgow.

INSTAL 06
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
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