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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A projector running in a dark room
26 February 2010

Sea Oak

Emily Wardill

A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.

Kill Your Timid Notion 10
Jackie Wang and Alexander Moll are on dark stage spotlit with a yellow and blue
22 November 2019
Tramway

Cottonmouth Liturgy

Alexander Moll Jackie Wang

A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.

Episode 10: A Means Without End
The porcelain head of a doll stands out from a black background.
30 September 2020

Not Going Back to Normal

Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.

Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
Mirror performing in front of a projection at KYTN 04
10 December 2004
DCA

Mirror with a film by Bill Morrison

Bill Morrison Mirror

Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.

Kill Your Timid Notion 04
Laps Performs in Blue Light
18 November 2017
Tramway

Every Book is Dead

Hal Duncan LAPS

Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.

Episode 9: Other Worlds Already Exist
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
Ellen fullman's long string instrument : many strings strung across a long room
13 October 2006
The Arches

Ellen Fullman & Sean Meehan

Ellen Fullman Sean Meehan

Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.

INSTAL 06
Beams of light fanning out from the right in bands of green and white
15 April 2007
DCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Kill Your Timid Notion 07
ARIKA_NO_TOTAL_2015_BM_IMG_0040
28 May 2015
Artists Space Books & Talks

No Total

Amalle Dublon Arias Abbruzzi Davis Constantina Zavitsanos Emma Hedditch Jordan Lord Morgan Bassichis

Three days of discussions, performances, actions, dancing and food – continuing No Total’s ongoing contemplation of ways of being together and the ways Arika have been entangled in those, ever since Episode 4.

Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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