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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
17 November 2024
Tramway

Trans Breakfast at the End of the World

Mijke van der Drift Nat Raha

An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.

Episode 11: To End the World As We Know It
Inure Takehashi performing in a back corner of Dundee
8 July 2007
Bell Street Car Park

Shadowed Spaces Dundee

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: between: the abandoned site of Parker House (ex-council office building) that became a student accommodation regeneration project, off the Dudhope roundabout; Bell Street Car Park entrance ramp and; the awkward (and otherwise used/ used otherwise) space left over between the back of Tesco’s and DW Sports on the Murraygate.

Shadowed Spaces
Snapchat of street at night lit with white polythene covered boards
16 November 2017
Many Studios

Anal Panopticon

Huw Lemmey

Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.

Episode 9: Other Worlds Already Exist
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Hisato Higuchi backstage at MLFC 07
13 May 2007
The Sage Gateshead

Hisato Higuchi

Hisato Higuchi

Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.

Music Lover’s Field Companion 07
Shards of light on a black background from Sound Cuts projection
12 October 2008
DCA

Optical Sound Film Talk

Guy Sherwin

Guy Sherwin gives a kind of annotated, chat through his optical sound films

Kill Your Timid Notion 08
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
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