
Object of Thought
Mattin
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
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A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).
Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.