Cello Powder
Nikos Veliotis
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
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Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.
Writing that shows us that, even in struggle, there is light to be let in.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
An original and beautifully simple performed installation forging a direct link between sound and image.
An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.
An invitation into languages field of touch; to speak in feeling together.
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.