No Church in the Wild
Jack Halberstam
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
Felix Hess is a unique crosser of the boundaries between science and art. He wrote his doctorial thesis on the aerodynamics of the boomerang
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.
Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.