Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (706)

Order by
15 November 2024
Tramway

When my heart looks for you, where will it find you?

Sadia Shirazi Mezna Qato Sakina Ali

A workshop inviting participants to enact a series of scores that explore witnessing, testimony, grief and mourning, facilitated by Mezna and Sadia, and accompanied by Sakina Ali.

Episode 11: To End the World As We Know It
13 October 2006
The Arches

Infest – Jazzfinger

Jazzfinger

Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.

INSTAL 06
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
Three people hold a banner: "Rights Not Rescue Our Choice"
21 April 2017
Kinning Park Complex

Party & Performances

Marianne Chargois MC Ray St. Ray Sex Workers’ Opera

A party and fundraiser to support Sex Workers’ struggles and LGBT Unity with music and performances from the sex workers’ community and allies, plus DJ’s and dancing.

Sex Workers’ Festival of Resistance
11 March 2022
Online

Prisoner Solidarity in Practice

Prisoner Solidarity Network Glasgow Prisoner Solidarity

How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?

Mutual Aid
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
An animated suduko is on the screen as players perform to it
15 February 2008
The Arches

Self Cancellation – Palimpsest #1

Benedict Drew Chris Weaver John Butcher Mark Bain Michael Colligan Rhodri Davies Robin Hayward Sarah Washington John Bain Lee Patterson

Performance of a Sudoko based graphic score giving rise to a process of self cancellation.

INSTAL 08
arika_ep7_IMG_4240
16 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

Episode 7: We Can’t Live Without Our Lives
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×