Tom Bruno
Tom Bruno
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.
An improvisation that may or may not involve (typical) improvisation.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.