Kill Your Timid Notion 08
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
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Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Percussion used to explore the social construction of space
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.