
Keiji Haino & Tony Conrad
Keiji Haino Tony Conrad
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.
Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.